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© David Meyer - 2007

I received my initial training in violin making via a one-on-one apprenticeship with Vermont luthier Thurmond Knight. From 1992 to 2000, Thurmond served as teaching assistant to German Master Violinmaker Karl Roy at the University of New Hampshire Violin Craftsmanship Institute.  During three years of study with Thurmond, I was trained in the traditional techniques much as they would have been taught at the Mittenwald School including such basics as tool handling, pattern and mold making, arching, graduation, purfling, scroll carving, varnishing and set-up, and so on. Several years later I participated in a master varnishing class taught by Geary Baese who has dedicated much of his career to the study of Cremonese varnish.

With the basics in hand, I am now focusing on what really separates a violin form just a nice piece of woodwork... sound. It is for this aspect of the field that  an engineering background has equipped me well. Scientific study and analytical methods are second-nature, and in addition to the normal array of traditional violin maker's tools, I also own several lathes, milling machines, and precision tooling that have been eminently useful not for the building of violins per se, but for tools and systems that I have developed for advanced studies in violin acoustics.

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